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The Commissar 1967 aka Kommisar
t was shot in the political climate of the post-Khrushchev Thaw. From the outset of the production, Goskino censors forced the film director Aleksandr Askoldov to make major changes; 1967 was the 50th anniversary of the October Revolution and the events were to be presented in the Communist Party-mandated style of heroic realism.